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I hear questions all the time from stage hypnotists about performing smaller shows - meaning for maybe 30-60 people - and in less organized venues - meaning bars or clubs, rather than a comedy club or other standard entertainment venu.
Worries about these situations range from, "With such a small audience to draw from, will I get enough participants up on stage, and will enough of them be hypnotized to have a good show?" - to "What do I do if most everyone is too drunk or rowdy?" - to "What if I only have 30-45 minutes for the show?"
Not to worry - you CAN do it - you just have to be prepared.
Smaller venues are not harder - they are just different - and so the hypnotist needs to be flexible. And confident.
Being flexible means having the ability to adapt the pre-talk for a specific audience, having more than one 'convincer' and having more than one induction, or the ability to alter the induction as necessary.
If the group is on the rowdy side, the hypnotist must portray the physical presense to command respect and gain and maintain their attention. I don't mean be a jerk about it, but show that you're in charge and ready to deliver their entertainment, so they should hush up and let the fun begin. (Confidence)
If the entire group is truly too drunk - THEN the hypnotist can decline to perform, due to legitimate 'safety' concerns. Otherwise, the show should go on.
With a smaller group, especially at a bar or club, the hypnotist should take the opportunity to mingle some before the show - intruduce yourself, joke around, build excitement and encouragement, make friends. The pre-talk of the pre-talk.
(And, you might even meet one or two that would be good candidates for a Speed Trance instant induction demonstration, to kick off the show with a huge WOW and make a believer out of everyone, before the full cattle call.)
Then, especially if they are a bit rowdy, I would always do two or three convincer demonstrations (not just one) - to get them into the flow of following directions, to show them that you are nice and into creating fun, and this is easy to do, and to build expectancy.
And, start off with something fun and silly, like the "L & Circle / Cheek-Chin" test and the "Foot & 6" test, rather than the intense hand clasp. These lighten the mood and get them working harder to be compliant and succeed. If you then follow these with a hand clasp or finger clasp test, or the arm roll test, you'll probably get a far greater response, especially with this type of audience.
When collecting volunteers in a bar setting, have the confidence to pick and choose. Reject those who appear too drunk, make eye contact and select those who seem interested but a little shy. Sure you can ask for them to rush the stage, but you can also hand point and pick if you think you might get better participants that way.
If you continually assess your volunteers as you go along with the induction, you can make adjustments to your suggestions (more direct, or more indirect), when you feel you need more compliance or response. Don't be afraid to speak directly to one or three or even each of the participants individually in the middle of the induction, to help insure that they all go out deeply enough.
Without induction - THERE IS NOW SHOW - so take all the time you need, and make all the impromptu adjustments you have to - so they go out.
If you only have 30 or 45 minutes, you must be on your game. Shorten your induction - don't skimp, but use more directive (do this now) language, rather than more indirect drifting, dreaming and floating. If you can put one person out in less than 10 seconds, you should be able to craft an induction to put 5-10 people out in 5 minutes or so.
And, it doesn't matter if you only have 5 to 10 people on stage, if you put them all out. You CAN do a show with only 5 people.
Then, on with the skits! Keep them short, and do several hypnotic phenomena demonstrations, rather than several long-running 'dance like J-Lo' skits. Phenomena demonstrations like amnesia or positive or negative hallucinations are quick and amazing, providing the important WOW impact in a short amount of time.
Never automatically assume you should turn down a gig opportunity just because it's not 'what you're used to doing.' If you're going to be a true professional, you need to be flexible and confident enough to handle most anything that comes your way, especially when you're first getting started. Turning down that one 40-person audience show could mean blowing the chance for a year long contract - you just never know.
You CAN do a show for 50, 25, or even 5 people. You CAN do a 45, 30 or even 5 minute show.
You just have to be willing to adapt and make it happen. That's how you get paid, and your name in lights!
We wish you the best of luck in defining your personal stage hypnosis show style! And if we can be of any assistance, please do not hesitate to contact our office.
We wish you the best of luck in defining your personal stage hypnosis show style! And if we can be of any assistance, please do not hesitate to contact our office.
~ Paula Saxon Nongard, MA/CCH
~ Richard K. Nongard, LMFT/CCH
Richard Nongard, professional educator, is an accomplished stage performer, author, licensed psychotherapist, and certified clinical hypnotherapist.
Use the amazing power of hypnosis and hypnotic phenomena not only during sessions or shows with clients - but to GET clients, too! ... The mistake many hypnotists make is in viewing Street Hypnosis as a whole different genre of trance performance, when really it's just an abbreviated form that can be demonstrated anytime, anywhere, with anyone. --more--
For those of you ‘in the know’ this may seem like a silly question, but for those who aren’t the terms may be confusing, so it’s a valid learning question, and one I’ve answered dozens of times over the past 6 months or so from curious customers. --more--
I am asked this question a lot by both new hypnotists and those who have been in practice for quite a while. They just can’t seem to wrap their minds around the concept, or they are afraid to try different forms of demonstration, so I try to explain what hypnotic phenomena is really all about. --more--
Stage hypnosis is one of the most rewarding fields of study and, at the same time, it can be one of the most difficult. Stage hypnosis training can be very expensive, and most seminars occur in big cities like Las Vegas or London, or at annual conferences, like the Hypnoticon convention, now held twice each year in Atlanta and California. --more--
Whether you want to learn stage or street hypnosis or have been practicing professionally for years, or if you are a clinical hypnotist looking for better ways to engage your clients, rapid and instant inductions can improve your presentation and confidence. --more--
We’ve seen tons of shows across the country by dozens of different performers over the years, from various conventions, to Vegas, to comedy clubs in the Midwest, school events and so forth. Many have had the same elements or bits, but done differently, and some were done exactly the same. --more--
Now and then we get a comment or two from career professionals who are disgruntled that we Hypnosis Gurus are “selling out the secrets” of stage hypnosis, or that we are “flooding the market” with new hypnotists by offering comparatively inexpensive training to anyone interested in learning the art, and thus subsequently “cutting the fees” that the old-boy’s-club can charge for their shows. --more--
These days, when it seems difficult to get most kids interested in anything more than chatting with friends or playing games on the Internet, it is amazing to us that many in the industry will so adamantly poo-poo the idea of training teenagers to become hypnotists. --more--
Many stage hypnotists are only that - stage hypnotists - and they have never taken a clinical course in hypnosis. And many clinical hypnotists only practice clinical hypnosis, and may even shudder at the mere mention of hypnosis for entertainment purposes. And then there are the hypnotists who regularly practice both stage and street hypnosis. --more--
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